Rania Ho & Wang Wei , Seawitch Duo In Residence , 2025
Lighting through , One Home for Another
; Sensing together with Storm Break
Robust to Whisper Wake of Seas
Seawitch lends itself to a kind of austerity. It starts from the raw concrete walls, extends to the simplicity of the furniture, storage, and kitchen. Daily life is also austere: cooking with a stove, a small toaster and an oven - no microwave, no rice cooker; grocery shopping only as much as one can carry from Cheung Chau; traveling only at times when there is a ferry. The physical limitations are many, but they actually release us from having too many choices. The paring away allows for something else to enter: a mental spaciousness - time for listening, watching, noticing and breathing. Time slows once the small ferry departs from the dock at Cheung Chau. The bobbing of the boat is hypnotic, lulling the shoulders to release and drop. By the time the ferry reaches The Sea Ranch pier, body and mind are shaken loose.
Coming to Seawitch is like being dropped into a vacuum. We can see our rhythms and working habits, together and separate, more clearly. Despite the limited space, we continue to work as if we are at home at our own studios, each retreating to our corners to tinker/write/etc. and emerging for meals and conversation. In the past, we thought that we could only work from our studios in Beijing, but time at Seawitch has proven otherwise. Of course the scale of what is possible at Seawitch is different, but there is a sense of being released (freed) from the physical (and psychological) limits of the studio. It's an interesting and welcomed development.
Over the last month we have readily adapted to Seawitch's limitations (maybe even desperately needed them). The isolation we experience at Seawitch is by choice, and is absolutely luxurious. Perhaps that's what I meant by it being selfish. The noise of "the world" gets quieter, and you hear yourself better. I am reminded of the description of sensory deprivation tanks where when all other external input is blocked out, you are left with the sound of your own heartbeat. For a finite period of time, this is very peaceful. I understand everyone deals with isolation differently, but for us at this moment, it has been a gift. We retreat, and rest.

中秋 蛇 二 五
二浪 by Wang Wei 2025
在香港澄碧邨驻留的这段时间,要从长洲码头乘坐20分钟的私家轮渡才能抵达,澄碧邨前面的一片小湾名为二浪,在它之前的一片为大浪,常常被香港的这些地名所吸引,芝麻湾、土瓜湾、大坑等等,有一些自嘲且可爱的意象在里面。每当风浪大些的时候,船工会把挂在舷窗上的塑料布放下来做些遮挡,窗外的风景一下子变得迷离起来。
TAPE by Rania Ho 2025
TAPE is an aesthetic taping of the bay windows before the T10 storm. As someone inexperienced with typhoons, I didn't understand what taping the windows was supposed to achieve, but doing this was a pleasant activity and a useful distraction from the impending storm.
NET by Rania Ho 2025
NET is a reconfiguration of detritus that washed up on the beach with materials scavenged from the Clubhouse. This piece is still in progress.
images and words courtesy of Seawitch Inbeings Rania Ho and Wang Wei 2025

